![]() The opportunity to transfer the show to Broadway was amazing, but Broadway, for all its insularity, is more of a machine than a family. "We really made American Utopia on the road - living on a bus and spending all our time together - and as such, by the end of our 2018 tour (in which we performed 144 shows in 28 countries), we were this incredibly close art family. Here's how to get one What was it like working with Spike Lee on the filmed version? The kineticism of that idea always keeps me going."īroadway shows: Theater subscriptions are like season passes for live plays. If I ever feel stuck at any point in my life, I can look at it and know that I did this dance all over the world for hundreds of thousands of people. ![]() I actually have the choreography (as notated by me) tattooed on my arm. "'This Must Be The Place (Naïve Melody)' is one of the greatest songs of all time, in my opinion, and the dance Annie-B made for it is so classic and naïve in its own way. ![]() He wanted me to be dance captain as well, and eventually, I would also become vocal captain and choreograph one of the show's numbers, 'Burning Down the House.'īroadway NYC: What's on the Broadway shows list for 2021, plus all you need to know about tickets What can you tell me about American Utopia? What makes it unique? ![]() When I heard Annie-B was working on American Utopia and looking for backing vocalists who could dance, I emailed David and told him I was available. At the time, I mentioned to David that I had been the captain of my high school's color guard, to which he replied, 'Oh, I've always wanted to do this color guard rock show project.' Fast forward several years, and I was working with him as associate producer of Contemporary Color, a massive color guard/music event at the Barclays Center, featuring the likes of Nelly Furtado, Tune-Yards, St. In 2009, I assisted her in choreographing David Byrne's 2009 world tour. In cinemas in Australia now."I've worked with American Utopia's choreographer, Annie-B Parson, since 2005 -performing in her company, Big Dance Theater, and assisting her on various projects. Streaming on HBO in the US now, and on VOD in the UK Dec 14. Indeed, the only drawback is that it’s such a good gig you really do wish you were there. Then, when all’s said and done, Byrne hops on his bike and rides off into the twinkling New York night. ‘Most of us are immigrants,’ he says, and I got goosebumps when they all take a knee in solidarity with Black Lives Matters, the faces of many slain African-Americans are projected giant-sized behind them, as set to a cover of Janelle Monáe’s Hell You Talmbout. Their slick dance moves are choreographed by Annie-B Parson of Brooklyn’s Big Dance Theater, amplifying Byrne’s silken vocals and playful lyrics. To assist, he’s assembled a spectacular array of musicians (and instruments) from all over the world, all dressed in the same attire. Lee nimbly shoots the stripped-back but visually theatrical performance, with a shifting set created by nifty lighting design. Part-pop extravaganza, part-poetry slam, it’s a wonder to behold.īyrne appears in his signature slick grey suit, barefoot, capped with that flourish of manicured white hair, and weaves his many spectacular hits, including the anthemic thrill of Once in a Lifetime, with musings on life, love, what divides us and ultimately brings us back together. ![]() This new joint from the latter captured the former’s 2019 Broadway show American Utopia (a live version of Byrne’s 2018 album). If we can’t go to gigs right now, then former Talking Heads front-man and supreme solo artist David Byrne brings the band to us, with a little help from Spike Lee. ![]()
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